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        學(xué)習(xí)啦 > 學(xué)習(xí)英語(yǔ) > 英語(yǔ)閱讀 > 英語(yǔ)詩(shī)歌 > 關(guān)于美麗的英文詩(shī)歌欣賞

        關(guān)于美麗的英文詩(shī)歌欣賞

        時(shí)間: 韋彥867 分享

        關(guān)于美麗的英文詩(shī)歌欣賞

          英語(yǔ)詩(shī)歌是英國(guó)文學(xué)的精粹,更是世界文學(xué)的瑰寶,集中體現(xiàn)了詩(shī)歌形式美與非形式美的高度統(tǒng)一并傳遞了詩(shī)歌的美學(xué)價(jià)值,給人以音樂(lè)美、視覺(jué)美、意象美。小編精心收集了關(guān)于美麗的英文詩(shī)歌,供大家欣賞學(xué)習(xí)!

          關(guān)于美麗的英文詩(shī)歌篇1

          The Philosopher in Florida

          by C. Dale Young

          Midsummer lies on this town

          like a plague: locusts now replaced

          by humidity, the bloodied Nile

          now an algae-covered rivulet

          struggling to find its terminus.

          Our choice is a simple one:

          to leave or to remain, to render

          the Spanish moss a memory

          or to pull it from trees, repeatedly.

          And this must be what the young

          philosopher felt, the pull of a dialectic so basic

          the mind refuses, normally,

          to take much notice of it.

          Outside, beyond a palm-tree fence,

          a flock of ibis mounts the air,

          our concerns ignored

          by their quick white wings.

          Feathered flashes reflected in water,

          the bending necks of the cattails:

          the landscape feels nothing——

          it repeats itself with or without us.

          關(guān)于美麗的英文詩(shī)歌篇2

          Cement Guitar

          by Michael Carlson

          All morning I've remembered St. Ignacio's bruise,

          jaundiced seagulls over Quonset, November

          and the gross white sky. Days so long

          you walk home fifteen miles from the restaurant.

          Same waitress every day of your life

          and she never remembers your allergies.

          Nothing on the map but scone crumbs

          and a drop of tea. Just manifold food and a dead request

          to bury the last of your seven receipts.

          Mother of foster-wit, father of straw,

          I can see how silence takes the place of those

          who cut their thoughts in stone before they need them.

          Stone is the past, and the past is a form of flattery.

          Last winter, groups of children sent letters

          in sadness for the late Christmas suicide.

          Addressed to those who managed the fishery,

          who named the docks and decided the colors of unfinished boats,

          the only way to read them was alive.

          To think out loud about those children's names

          was to forget what you meant by dying.

          關(guān)于美麗的英文詩(shī)歌篇3

          Butterfly Catcher

          by Tina Cane

          In the Sixties

          Nabokov switched

          from ink to eraser-

          topped pencil

          on index cards a box

          of cards for Ada a box

          of cards for dreams

          whose "curious features"

          include "erotic tenderness

          and heart-rending enchantment"

          in one draft

          he traded "stillness and heat"

          for "silence, a burning"

          so picture:

          Vladimir seated

          at the trunk of a tree

          a spring day

          at Wellesley where

          he marvels at his students

          and their cable-knit socks

          the way each elastic

          grips without binding

          just below

          the knee so exquisite

          an application of pressure

          that when said sock

          is slowly

          peeled off

          the skin shows

          no trace at all

          關(guān)于美麗的英文詩(shī)歌篇4

          The Nymph's Reply to the Shepherd

          by Sir Walter Ralegh

          If all the world and love were young,

          And truth in every shepherd's tongue,

          These pretty pleasures might me move

          To live with thee and be thy love.

          Time drives the flocks from field to fold

          When rivers rage and rocks grow cold,

          And Philomel becometh dumb;

          The rest complains of cares to come.

          The flowers do fade, and wanton fields

          To wayward winter reckoning yields;

          A honey tongue, a heart of gall,

          Is fancy's spring, but sorrow's fall.

          Thy gowns, thy shoes, thy beds of roses,

          Thy cap, thy kirtle, and thy posies

          Soon break, soon wither, soon forgotten——

          In folly ripe, in reason rotten.

          Thy belt of straw and ivy buds,

          Thy coral clasps and amber studs,

          All these in me no means can move

          To come to thee and be thy love.

          But could youth last and love still breed,

          Had joys no date nor age no need,

          Then these delights my mind might move

          To live with thee and be thy love.

          
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