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        學習啦>學習英語>英語閱讀>英語詩歌>

        艾米·洛威爾經典詩歌:The Cross-Roads

        時間: 焯杰674 分享

          艾米·洛威爾,美國詩人,她的第一部詩集是《多彩玻璃頂》。1913年她在實驗性的意象派運動中脫穎而出,并繼埃茲拉·龐德之后而成為該運動的領袖人物。她運用“自由韻律散文”和自由詩的形式進行創作,被稱為“無韻之韻”。下面學習啦小編為大家帶來艾米·洛威爾經典詩歌:The Cross-Roads,歡迎大家閱讀!

          A bullet through his heart at dawn. On

          the table a letter signed

          with a woman's name. A wind that goes howlinground the

          house,

          and weeping as in shame. Cold November dawnpeeping through

          the windows,

          cold dawn creeping over the floor, creeping up hiscold legs,

          creeping over his cold body, creeping across his coldface.

          A glaze of thin yellow sunlight on the staring eyes. Wind

          howling

          through bent branches. A wind which never dies down. Howling,

          wailing.

          The gazing eyes glitter in the sunlight. The lids are

          frozen open

          and the eyes glitter.

          The thudding of a pick on hard earth. A spade grinding

          and crunching.

          Overhead, branches writhing, winding, interlacing, unwinding, scattering;

          tortured twinings, tossings, creakings. Wind flinging

          branches apart,

          drawing them together, whispering and whining among them. A

          waning,

          lobsided moon cutting through black clouds. A stream

          of pebbles and earth

          and the empty spade gleams clear in the moonlight, then is rammed

          again

          into the black earth. Tramping of feet. Men

          and horses.

          Squeaking of wheels.

          "Whoa! Ready, Jim?"

          "All ready."

          Something falls, settles, is still. Suicides

          have no coffin.

          "Give us the stake, Jim. Now."

          Pound! Pound!

          "He'll never walk. Nailed to the ground."

          An ash stick pierces his heart, if it buds the

          roots will hold him.

          He is a part of the earth now, clay to clay. Overhead

          the branches sway,

          and writhe, and twist in the wind. He'll never walk with

          a bullet

          in his heart, and an ash stick nailing him to the cold, black ground.

          Six months he lay still. Six months. And the

          water welled up in his body,

          and soft blue spots chequered it. He lay still, for the

          ash stick

          held him in place. Six months! Then her face

          came out of a mist of green.

          Pink and white and frail like Dresden china, lilies-of-the-valley

          at her breast, puce-coloured silk sheening about her. Under

          the young

          green leaves, the horse at a foot-pace, the high yellow wheels of

          the chaise

          scarcely turning, her face, rippling like grain a-blowing,

          under her puce-coloured bonnet; and burning beside her, flaming

          within

          his correct blue coat and brass buttons, is someone. What

          has dimmed the sun?

          The horse steps on a rolling stone; a wind in the branches makes

          a moan.

          The little leaves tremble and shake, turn and quake, over and over,

          tearing their stems. There is a shower of young leaves,

          and a sudden-sprung gale wails in the trees.

          The yellow-wheeled chaise is rocking -- rocking,

          and all the branches

          are knocking -- knocking. The sun in the sky is a flat,

          red plate,

          the branches creak and grate. She screams and cowers,

          for the green foliage

          is a lowering wave surging to smother her. But she sees

          nothing.

          The stake holds firm. The body writhes, the body squirms.

          The blue spots widen, the flesh tears, but the stake wears well

          in the deep, black ground. It holds the body in the still,

          black ground.

          Two years! The body has been in the ground twoyears. It

          is worn away;

          it is clay to clay. Where the heart moulders, agreenish

          dust, the stake

          is thrust. Late August it is, and night; a nightflauntingly

          jewelled

          with stars, a night of shooting stars and loud insectnoises.

          Down the road to Tilbury, silence -- and the slow flapping of large

          leaves.

          Down the road to Sutton, silence -- and the darkness of heavy-foliaged

          trees.

          Down the road to Wayfleet, silence -- and the whirring scrape of

          insects

          in the branches. Down the road to Edgarstown, silence

          -- and stars like

          stepping-stones in a pathway overhead. It is very quiet

          at the cross-roads,

          and the sign-board points the way down the four roads, endlessly

          points

          the way where nobody wishes to go.

          A horse is galloping, galloping up from Sutton. Shaking

          the wide,

          still leaves as he goes under them. Striking sparks with

          his iron shoes;

          silencing the katydids. Dr. Morgan riding to a child-birth

          over Tilbury way;

          riding to deliver a woman of her first-born son. One

          o'clock from

          Wayfleet bell tower, what a shower of shooting stars! And

          a breeze

          all of a sudden, jarring the big leaves and making them jerk up

          and down.

          Dr. Morgan's hat is blown from his head, the horse swerves, and

          curves away

          from the sign-post. An oath -- spurs -- a blurring of

          grey mist.

          A quick left twist, and the gelding is snorting and racing

          down the Tilbury road with the wind dropping away behind him.

          The stake has wrenched, the stake has started,

          the body, flesh from flesh,

          has parted. But the bones hold tight, socket and ball,

          and clamping them down

          in the hard, black ground is the stake, wedged through ribs and

          spine.

          The bones may twist, and heave, and twine, but the stake holds them

          still

          in line. The breeze goes down, and the round stars shine,

          for the stake

          holds the fleshless bones in line.

          Twenty years now! Twenty long years! The body

          has powdered itself away;

          it is clay to clay. It is brown earth mingled with brown

          earth. Only flaky

          bones remain, lain together so long they fit, although not one bone

          is knit

          to another. The stake is there too, rotted through, but

          upright still,

          and still piercing down between ribs and spine in a straight line.

          Yellow stillness is on the cross-roads, yellow

          stillness is on the trees.

          The leaves hang drooping, wan. The four roads point four

          yellow ways,

          saffron and gamboge ribbons to the gaze. A little swirl

          of dust

          blows up Tilbury road, the wind which fans it has not strength to

          do more;

          it ceases, and the dust settles down. A little whirl

          of wind

          comes up Tilbury road. It brings a sound of wheels and

          feet.

          The wind reels a moment and faints to nothing under the sign-post.

          Wind again, wheels and feet louder. Wind again -- again

          -- again.

          A drop of rain, flat into the dust. Drop! -- Drop! Thick

          heavy raindrops,

          and a shrieking wind bending the great trees and wrenching off their

          leaves.

          Under the black sky, bowed and dripping with rain,

          up Tilbury road,

          comes the procession. A funeral procession, bound for

          the graveyard

          at Wayfleet. Feet and wheels -- feet and wheels. And

          among them

          one who is carried.

          The bones in the deep, still earth shiver and pull. There

          is a quiver

          through the rotted stake. Then stake and bones fall together

          in a little puffing of dust.

          Like meshes of linked steel the rain shuts down

          behind the procession,

          now well along the Wayfleet road.

          He wavers like smoke in the buffeting wind. His

          fingers blow out like smoke,

          his head ripples in the gale. Under the sign-post, in

          the pouring rain,

          he stands, and watches another quavering figure drifting down

          the Wayfleet road. Then swiftly he streams after it. It

          flickers

          among the trees. He licks out and winds about them. Over,

          under,

          blown, contorted. Spindrift after spindrift; smoke following

          smoke.

          There is a wailing through the trees, a wailing of fear,

          and after it laughter -- laughter -- laughter, skirling up to the

          black sky.

          Lightning jags over the funeral procession. A heavy clap

          of thunder.

          Then darkness and rain, and the sound of feet and wheels.

        艾米·洛威爾經典詩歌:The Cross-Roads

        艾米洛威爾,美國詩人,她的第一部詩集是《多彩玻璃頂》。1913年她在實驗性的意象派運動中脫穎而出,并繼埃茲拉龐德之后而成為該運動的領袖人物。她運用自由韻律散文和自由詩的形式進行創作,被稱為無韻之韻。下面學習啦小編為大家帶來
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